
A really nice, seamless alignment between numbers and capitals being at the same height. The consistency between characters is appealing and it feels right to read through. Note the straight-legged R as well.
Originally designed 1957-1961 by Max Miedinger with art direction by Eduard Hoffmann. Released as Neue Haas Grotesk by the Haas’sche Schriftgiesserei, and then revised and released as Helvetica by Linotype AG.
